Jake discovers a cache of emails from 1999 and, this is the bad part, opens them. The resulting implosion leaves him a much smaller creature: crab-legged and huddling, trying to keep his eyes on four pairs of scuffed shoes. He has become the new god of chagrin.
The problem with godhood, of course, is that people will inevitably make sacrifices along the lines of your patronage. Jake scuttles for dear life from the ashes of their poetry, from the lunging silences that follow him like a misjudged word.
“Love us, o god!” cry the world’s teenagers.
Horribly, helplessly, Jake does.