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“It’s the greatest horror of the twentieth century and the fact that we’re constantly re-enacting it–at what should be beautiful and life-affirming celebrations–indicates an influence that is evil if not downright infernal,” says Cote. “Am I saying that the whole thing is a ritual set of gestures for summoning foul tormentors from the pit into our world? Maybe! Maybe I am! Now what were you saying before?”

“That it’s not technically ‘The Electric Slide,'” Ballard points out carefully. “It’s just ‘The Electric,’ and–”

“–Both of those titles are factually inaccurate,” Cote hisses, eyes narrowed with incisive certainty.