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She frames it like she saw on a TV show once, studs at sixteen inches, or anyway the breadth of two spread hands. Without sheetrock, she panels the walls in masonite, like an old movie set facade. You could tear it apart with any crude pry bar. Maybe one day somebody will.

It’s not quite square, the little room. When she looks it over she mostly sees the flaws. But it’s her own.

Aldous found two brass numerals, backstage: the number that comes after twelve. She tacks them to her door to nowhere, and opens it, and leaves the house behind.