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How to Draw a Map of the Territory

  1. Start at the point on the paper where your bootprint has torn the edge.
  2. Draw a straight line at 5Ï€/3 radians for exactly one second, then turn to connect the dots of an imaginary constellation (try Cassiopeia). Stop, turn, head due east.
  3. East where your mother went.
  4. Dig the pen into the paper. Hold your breath and turn south again. Your hand should be shaking: these are, after all, the fjords.
  5. Your pen will dry soon, your forearm lock. Abandon cartography, which Borges tells us is folly.
  6. Leave the map for your brother.
  7. It will take him some time to understand.

Fairfax

The doctor’s mask is mouthless, beaked, its eyes covered by red goggles. It wears a broad black hat and has no skin visible under its leathers. It carries a stick.

Fairfax only sees the doctor in crowds, and usually from a distance. It (he?) isn’t a hallucination; Fairfax has asked, and other people see it, they just don’t seem to care. “SCA nerd,” they say. “Steampunk. Cosplayer.”

Fairfax isn’t sure how he knows the figure is a doctor, but he doesn’t think it’s the kind that treats people.

It’s the kind that tells everyone else when you’re going to die.

Pearl

“We only refer to them as ‘click-bricks.'”

“But it’s your trademark!” says Pearl. “Even if you’re worried about genericization, you can still say LEGmmppphh!”

“‘Bricks,'” says the foreman, sweaty hand on Pearl’s mouth. “Otherwise–” his eyes dart toward the massive, glossy enclosure dominating the factory.

“Is that a computer?”

“Only in the crudest sense. It’s a comprehensive trademark-enforcement solution. It does more than mine data. It listens. It enforces.”

“But it’s enormous,” says Pearl. “Baroque! What did you make it out of?”

The foreman stares at him.

What do you fucking think we made it out of,” he hisses.

Aberdeen

“Strange happ’nins round these parts of a fortnight,” says the innkeep, leaning over the oak bar with a conspiratorial glance.

“Oh no,” says Aberdeen.

“Children afeart, animals missin’. Some say that old hermit what lives in the foothills has–”

“Look, I’m sorry, but I’m not an adventurer,” says Aberdeen, embarrassed.

The innkeep’s dialect fades. “But your sword! Your travel stains! Your mismatched traveling band!”

“We’re a theater troupe.” Aberdeen waggles the sword. “Prop. The stains are a postmodern homage to–”

“That is obviously just to throw the dark hunters off your trail,” he snaps.

“Well, yes, but mostly for tax reasons.”

Winston

Julia and Winston meet over the shop at fourteen o’clock, and the three of them swear that no matter what, they’ll–wait, I’m sorry, that’s wrong. Let me just stuff this page down the… the…

Can’t remember what this hole is called. Huh.

Anyway, both join together for a good two minutes of strong emotion and an afternoon at St. Sebastian’s Archery Range. It’s cold day in April, but exhilarating! The two retire to a shady spot under the chestnut tree, then, to speak freely and truly with each other.

Yes, Winston does love Big Brother.

Big Brother loves Winston too!

Desmolish

Molly and Desmond are out genderfucking when the allegory descends.

“Heads up!” Desmond shouts. “Robots!”

The robot fleet is red-eyed and jetpacked; they pour out of their mothership statement in defensive format.

“OUR SENSORS DETECT AN ABOMINATION,” they clang en masse.

Molly points to the two of them. “What, us?”

“AFFIRMATIVE.”

“This from a rampant AI with laser-hands?”

“YOUR ACTIONS HAVE SOILED THE PURITY OF THE BINARY!”

Desmond tilts her head. “Boolean gender-programming is a nasty bug.”

“THEN GENDER MUST BE DESTROYED,” howl the robots, lasers thrumming.

“No,” Molly grins, charging up their powerfist, “it must be constructed.”

Timory

Timory drags the comb-rake along behind her, backpack spewing carbon to force them both down another row of the ship’s ablative fur. Can’t trap hypertrash at full accel if it’s matted with junk already, but she still resents the chore: a Roomba could do this. Instead she’s using her spacewalk time to dig out burrs.

It’s not a pretty beast; impacts have manged its coat, solar orbit bleached it. The fur will burn off on entry anyway, and Timory swears it makes the whole trip hotter. She’d give a great deal for a razor and a fixed point in space.

St Mercy

The atrium of St Mercy is what passes for old-growth forest these days; the residents never touch the trees, but on the floor they grow mushrooms. They aren’t the kind of mushrooms you eat for nutrition.

Outside, the sky boils black and petty warlords kill over well water, but the barbed wire around St Mercy has scratched out a rough square of sanctuary. That sanctuary comes with a price. You only get into the hospital if you’re bleeding; their medicine does more than cure.

In the atrium, deer-masked and holy, the Wild looks upon you with wet dark eyes.

Anabasis

is idiomatic Greek for a journey inland from the sea. “Going up,” literally, because if you’re in Greece three thousand years ago the sea is always down.

So one ascends. The country is scrubby, hot and full of bees. No need to watch for wolves on the hilltops: agriculture has done its job and killed all predators but one. The only risk on this journey is sabotage.

The risk is greatest when alone.

Xenophon, Leonidas, Ulysses: each followed greatness into nothing. Thus always the furious Greek? Strip to your sandals; drop your spear and helmet. You need only carry your doom.

Mauro

“Warning!” chirps the schedule. “This meeting takes place in the past.”

Sighing, Mauro queues up at the tempovator. At length he steps in and drops back to 2008.

“All right,” says Beatriz, “let’s get started.”

“Can we please stop reliving this?” says Mauro. “I’m from 2010. We cut some stuff for blind kids, bump the liquor tax, nobody’s happy, everything’s fine. Okay?”

“We’ll come up with a better idea!”

Mauro looks around: they’re so old. “Where are the versions of us who were here the first time?”

“Stacked in the freezer,” says Tams.

“We’re thinking of selling their organs,” says Beatriz.